The composing process is different for every film composer. When you’re in the studio, staring at the screen, how do you make your first move? How to you begin to put notes down on paper (real or virtual)? It doesn’t have to be scary. In this post I walk through how I approach the beginning of the actual film composing process – or, what I call sketching.
How does a concept like efficiency tie in to composing music for a film? Writing music is a creative pursuit, and for most composers, the more time they can spend in that creative zone, the better the final product will be.
Being efficient in this context means maximizing your time in the creative stages of the project, and minimizing your time on things like logistics and technical issues. Having a well-designed music composing workflow is the key.